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Hot BD Actress - Shahara - Film Role Info & Photo Gallery
Full List Of Shahara Acted Movie
Rukhe Darao, Bharate Khuni, Lalu Koshai, Dhor Soitan, Bishakto Chokh, Lucky 7, Order, Jadrel, Ovishopto Raat, Ostrodhari Rana, Banglar Don, Mastan No 1, Ghorer Dhusmon, Josnar Prem, Dhusto Meye, Chokkor, Vondo Nayak, Damn Care, Nosto Satro, Priya Amar Priya, Tin Badshah, Moidan, Shanto keno Oshanto, Prem Koyadi, Bolbo Kotha Basor Ghore, Amar Shopno, Valobeshe Bou Anbo, Rastar Chele, Khomota, Dhomok,Valobeshe Morte Pari, Mon Diyechi Toamak, Kajer Manush, Amar Ptithibi tumi, Boss number 1, Onko,. 5 Takar Prem, Shaheb Name Golam, Daroaner Chele, Bondhu tumi Shotru tumi, Tiger Number 1, Ek Takar Chele Koti Takar Meye, Pita Putrer Golpo, Amader Choto Shaheb, Bostir Chele Kotipoti, Oshanto Mon, Sathi Hara Nagin, Marufer Challenge, Boro loker 10 din Goriber 1 din.
This Actress Google Search Keyword. Hot BD Actress, Bangladeshi Actress, Shahara, Bangla Film Actress Shahara, Bangladeshi Actress Shahara, Bangladeshi Actress Shahara Movie, BD actress Shahara
Rukhe Darao, Bharate Khuni, Lalu Koshai, Dhor Soitan, Bishakto Chokh, Lucky 7, Order, Jadrel, Ovishopto Raat, Ostrodhari Rana, Banglar Don, Mastan No 1, Ghorer Dhusmon, Josnar Prem, Dhusto Meye, Chokkor, Vondo Nayak, Damn Care, Nosto Satro, Priya Amar Priya, Tin Badshah, Moidan, Shanto keno Oshanto, Prem Koyadi, Bolbo Kotha Basor Ghore, Amar Shopno, Valobeshe Bou Anbo, Rastar Chele, Khomota, Dhomok,Valobeshe Morte Pari, Mon Diyechi Toamak, Kajer Manush, Amar Ptithibi tumi, Boss number 1, Onko,. 5 Takar Prem, Shaheb Name Golam, Daroaner Chele, Bondhu tumi Shotru tumi, Tiger Number 1, Ek Takar Chele Koti Takar Meye, Pita Putrer Golpo, Amader Choto Shaheb, Bostir Chele Kotipoti, Oshanto Mon, Sathi Hara Nagin, Marufer Challenge, Boro loker 10 din Goriber 1 din.
This Actress Google Search Keyword. Hot BD Actress, Bangladeshi Actress, Shahara, Bangla Film Actress Shahara, Bangladeshi Actress Shahara, Bangladeshi Actress Shahara Movie, BD actress Shahara
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BILLI MUCKLOWS RED-HOT PLAN
ABOVE: Billi Mucklow is opening a yoga studio
TOWIE star Billi Mucklow is aiming to turn up the heat in the addictive reality show when it kicks off again this Sunday.
The busty blonde beautician is opening a yoga studio and plans to get the sexy cast to whip their kit off and get involved.
Billi Mucklow, 24, told us: “I’m opening the first Bikram Yoga studio in Essex.
“It’s all new so it’s really exciting and I’m going to be pinking everything up.
“It’s going to be hot and sweaty and all the cast will be getting involved and getting their boobs out. I reckon this series will be a bit more for the men out there to watch and enjoy.”
But fear not ladies, it sounds like there could be a bit of sweaty eye-candy for you lot in this, the fifth TOWIE series.
Billi said: “I am going to try to get the boys involved too and I think Arg is going to want to enjoy a little bit of the yoga.”
Bikinis
Meanwhile, fellow TOWIE lady Jessica Wright has revealed she can’t wait for the show to hit Marbs for a summer special.
Jess, 26, told us: “I guess we’ll all be in bikinis but I’m not sure how much I will let people see to be honest.
“Those who want to cover up will do, and those who want to get it all out will probably do it.”
At this rate, sounds like we’ll be begging them to put it away.
'It's sexier not to show everything': Jennifer Love Hewitt admits she draws the line at nudity as she steps out in flirty Easter dress
She is plastered on billboards across Los Angeles wearing just her lingerie, showing off her ample curves in a bid to promote her new TV show The Client List, in which she plays a call girl.
Not to mention the fact that she is a men’s magazine favourite, has a wardrobe full of skin-tight bandage dresses and regularly speaks about her love of ‘vajazzling’.
But despite being so comfortable with her sexuality, Jennifer Love Hewitt has admitted that she draws the line when it comes to nudity.
Drawing the line: Jennifer Love Hewitt says she would have refused her role on The Client List if it required her to go nude
Her scenes in the Lifetime TV show require her to regularly be scantily clad in an array of lingerie, but the 33-year-old says she wouldn’t have taken on the role if it required her to bare all.
The actress was asked during a press conference if she would have agreed to play the part had it been for a racier network such as HBO or Showtime.
She replied: ‘I wouldn't have done nudity, no. That's not something that I feel particularly comfortable with.’
Jennifer added: ‘I also think that it's sexier not to show everything. I feel like imaginations can do way more.’
She stepped out today in Los Angeles and seemed to be feeling in the Easter spirit when it came to her wardrobe.
Subtlety is key: Jennifer says she thinks it's sexier to leave something to the imagination
Controversy: Jennifer's saucy advert for The Client List was digitally altered from the pictured original to reduce her ample bosom
The actress teamed a pretty pink asymmetric dress, which perfectly showed off her deep tan, with some beige peep toe pumps.
While the star has said she won’t be revealing too much any time soon, her promotional posters for The Client List recently came under controversy for that very reason.
It appears Jennifer’s curves were too much of an eyeful for some after two different adverts for the new series were released.
While the Hollywood Reporter and billboards across LA went for Jennifer's natural bosom, which is a double D cup size, Entertainment Weekly decided their delicate readers should only see a smaller, digitally reduced cup size.
Comfortable in her skin: Jennifer is never shy of showing her shape but baring all would be a step too far for her
Easter spirit: The actress got into the swing of the holiday with her flirty pink dress as she stepped out in LA
Jennifer has said of her ample breasts: 'I just accepted them as a great accessory to every outfit.'
The actress plays a single-mother-of-two who finds extra work with a high-end prostitution service in Texas in the show.
And the unlucky in love star has also admitted that she is single just like her character.
The told People: ‘The men in my life are the crew members [on the show] ... and my one male dog, who gets very jealous because I'm gone a lot.’
But she gushed of her delight at working on the show, which airs tonight, saying: ‘I love it. It's a lot of fun.’
Sexy secret: Jennifer plays a single mother masseuse who offers 'extras' to earn more money in The Client List
CONTOSTAVLOS BLASTS EX OVER SEX TAPE
Singer TULISA CONTOSTAVLOS has branded her ex-boyfriend "manipulating and bitter" in new court documents, accusing him of launching a "jealous vendetta" against her by allegedly leaking their sex tape on the internet.
The N-Dubz star was devastated after explicit footage, showing her performing a sex act on former partner Justin Edwards, appeared online last month (Mar12).
She has now hit out at Edwards in an eight page witness statement as part of her bid to extend an injunction banning the tape from appearing online.
In court papers obtained by The Sun, the singer admits she fears the leak was part of Edward's plan to damage her career.
She writes, "He admitted taking footage of me on his mobile (phone) but said he deleted it before he sold the phone. I had, and still have, no recollection of such footage being taken. He became uncomfortable when I asked what the footage was. I was scared someone might have it.... I believe Justin Edwards is a manipulating and bitter man. He has a jealous vendetta against me. This video is part of a plan to damage my life and career. The impact on my health has been severe."
The court papers also reveal that Contostavlos was drunk when the tape was made: "I believe I must have been intoxicated at the time the video footage was taken. Now that I can see the video, I can see it is me in it. I must have been very drunk to let my then boyfriend Justin Edwards, who I also know features in the video, take the footage. The commentary on the website says that the video was taken in a public place. I can say for certain that it was not. It must have been in a private dressing room or toilet in a dressing room. My dressing room always had the door locked and there was security outside. It looks like I was at an N-Dubz gig."
Contostavlos is reportedly suing Edwards for $160,000 (£100,000) for breach of confidence and privacy. Edwards has denied leaking the footage.
Lena Dunham sparks dialogue about 20-something confusion in Girls
 |
| Mamet, Kirke, Dunham and Williams Allison pose at the premiere of “Girls” in New York. |
NEW YORK: Lena Dunham is deconstructing femininity across the table. Having spiffed up for some behind-the-scenes featurettes for her upcoming HBO series, “Girls,” Dunham has relaxed into her seat at a Tribeca restaurant not far from where she grew up.
Shortly after shedding her overcoat, she pulls off her fake eyelashes, too, apologizing for her manners and lamenting the forthright revelation of a women’s “secret” to a member of the opposite sex.
“There’s a certain point when I’ve had them on all day, I just want to be free of them,” she says, laughing. “I want to be naked but for my own lashes. It upsets your friends if you pull them out and just hand them to them. They’re not exactly sure what’s going on.”
Inhibition and a comical preference for naturalism run deep in Dunham and her work. She’s a self-declared “over-sharer” whose Twitter feed is a steady stream of self-deprecating wit. (“I was lying totally still on the shower floor and really hurt my knee. And that, my friends, is proof I can do anything.”)
Her work (two features, a few Web series and now the TV show) is heavily personal, like her breakout film, 2010’s “Tiny Furniture,” an indie she made for just $25,000 starring herself, her mother (the photographer and artist Laurie Simmons) and her younger sister, Grace. (Her father, the painter Carroll Dunham, typically abstains.)
“In many ways, my work acts as my journal,” she says.
“When I had a journal as a kid, I was constantly leaving it open, hoping somebody would find it. I just didn’t understand the purpose.”
Not yet 26, Dunham has already been profiled by the New Yorker, had “Tiny Furniture” released on DVD by the esteemed Criterion Collection and attracted the interest of comedy producer and filmmaker Judd Apatow, executive producer of “Girls.” Considering her unblemished good fortune, Apatow has advised Dunham to get a T-shirt that reads “The Inevitable Backlash.”
“Girls,” which Dunham wrote, stars in and produced, premieres Sunday, April 15, but it’s already captured the zeitgeist, sparking a dialogue about 20-something adulthood, femininity and sexuality. The show follows four young women (Dunham, Allison Williams, Jemima Kirke and Zosia Mamet) in post-collegiate drift, struggling in a difficult New York job market, chafing at conventional ideas of womanhood and dealing with male counterparts on a different wavelength.
“It feels as though it’s the right time for this show,” Dunham says. “Women want a show like this. This generation wants a show like this – not to overstate our mission.”
Dunham is the subject of op-eds (The New York Times) and the topic of considerable blogosphere debate. She’s been lauded for inverting the usual representations of female bodies by having no shyness in portraying her, as she terms it, “not exactly model-esque body” in unflattering sex scenes. But one critic suggested Dunham would lose her “narrative propellant” if she dropped 13.6 kilograms.
“If I lost 30 pounds, I’d die,” she says. “Not to quibble with him about what overweight means, but I can’t even lose 30 pounds!”
Most, though, recognize in Dunham the genuine article: an uncommonly mature storyteller with natural instincts for autobiographical filmmaking and neurotic portraits of her self-absorbed 20-something generation. In a memorable scene in the first episode, Dunham’s character, having arrived in New York an aspiring writer, tells her visiting parents that she believes she’s the voice of her generation, “or a voice of a generation.”
It’s particularly fitting because it’s both true and a self-parody – a balance of sympathy and critique for Millenials that runs throughout “Girls.”
“That’s just always what’s made the world feel manageable is to be able to share my experiences with like-minded people,” she says. “And sometimes I end up sharing them with not like-minded people, too.”
She grew up in a family of artists that moved from Soho to Brooklyn Heights (where Dunham is moving) to Tribeca, while alternating time at a country house in northwest Connecticut.
“Witnessing [my parents] going into the studio day after day, it was just like: ‘Oh, that’s what adults do, and furthermore, that’s what people do,’” says Dunham. “I’ve learned since that there’s many other ways to skin a cat, but in our family, it was always the primary mode of expression. Very early on, it made sense to me.”
In “Tiny Furniture,” Dunham’s character has returned home to New York (her parents’ actual Tribeca home) from college. There, she wrestles with who she is and her place in the world, themes carried over in “Girls.” Though structured by awkward encounters with boys, the film ultimately hinges on the mother-daughter relationship.
Echoing earlier criticisms of New York filmmakers like Whit Stillman and Noah Baumbach (both inspirations to Dunham), some took issue with her depiction of such a privileged life.
“It definitely was a thing where I was like, OK, I have to be careful with this,” says Dunham. “‘Girls’ is dealing with people who have moved to the big city to find their fortune, which is a wider range of people.”
Enthralled by the movie, Apatow realized Dunham was someone worth meeting once he saw her name again and again in the credits (“directed by,” “written by,” “produced by”).
In guiding “Girls,” Apatow (who made the quickly canceled “Freaks and Geeks” and “Undeclared” before focusing on writing and directing films) has returned to television, he says, “to get her [Dunham] through this experience without getting crushed by the machine.”
“It’s probably extended by creative life as I go into the first stages of exhaustion and generally running out of gas,” says Apatow.
“She’s so energized and in her moment. Unlike me, she didn’t have any awful experiences trying to get movies made or have them turn out weird, TV shows get canceled. So she’s just a ball of good energy.”
He adds: “She’s not worried about everybody’s judgments the way most neurotic comedians are. She just thinks you make things, that that’s what life is all about.”
While enjoying a Waldorf salad (“like a 95-year-old woman,” she says), Dunham exhibits only easy modesty and relentless curiosity. The ebbs and flows of good and bad reviews that have punctuated her parents’ careers, she says, has conditioned her to take success skeptically.
Right now, she’s cautiously developing a second season for “Girls,” in case it gets picked up. She plans to adopt a dog in September, either a pug Chihuahua mix or a Dotson Chihuahua mix – “small enough to fit in a bag, but not fully a Chihuahua.”
Dunham, a filmmaker who has transitioned with ease from film sets of six to soundstages of 60, clearly has herself more together than her characters. But she also has a dawning realization that even as she finds her way, uncertainty isn’t about to vanish.
“I wished that it passed by the time you were 26, but I’m hearing that that’s not the case,” she says, like a detective reporting back on adult life. “I’m always like, I make movies about this. Shouldn’t I move past it? That’s not how it works, unfortunately.”
Shortly after shedding her overcoat, she pulls off her fake eyelashes, too, apologizing for her manners and lamenting the forthright revelation of a women’s “secret” to a member of the opposite sex.
“There’s a certain point when I’ve had them on all day, I just want to be free of them,” she says, laughing. “I want to be naked but for my own lashes. It upsets your friends if you pull them out and just hand them to them. They’re not exactly sure what’s going on.”
Inhibition and a comical preference for naturalism run deep in Dunham and her work. She’s a self-declared “over-sharer” whose Twitter feed is a steady stream of self-deprecating wit. (“I was lying totally still on the shower floor and really hurt my knee. And that, my friends, is proof I can do anything.”)
Her work (two features, a few Web series and now the TV show) is heavily personal, like her breakout film, 2010’s “Tiny Furniture,” an indie she made for just $25,000 starring herself, her mother (the photographer and artist Laurie Simmons) and her younger sister, Grace. (Her father, the painter Carroll Dunham, typically abstains.)
“In many ways, my work acts as my journal,” she says.
“When I had a journal as a kid, I was constantly leaving it open, hoping somebody would find it. I just didn’t understand the purpose.”
Not yet 26, Dunham has already been profiled by the New Yorker, had “Tiny Furniture” released on DVD by the esteemed Criterion Collection and attracted the interest of comedy producer and filmmaker Judd Apatow, executive producer of “Girls.” Considering her unblemished good fortune, Apatow has advised Dunham to get a T-shirt that reads “The Inevitable Backlash.”
“Girls,” which Dunham wrote, stars in and produced, premieres Sunday, April 15, but it’s already captured the zeitgeist, sparking a dialogue about 20-something adulthood, femininity and sexuality. The show follows four young women (Dunham, Allison Williams, Jemima Kirke and Zosia Mamet) in post-collegiate drift, struggling in a difficult New York job market, chafing at conventional ideas of womanhood and dealing with male counterparts on a different wavelength.
“It feels as though it’s the right time for this show,” Dunham says. “Women want a show like this. This generation wants a show like this – not to overstate our mission.”
Dunham is the subject of op-eds (The New York Times) and the topic of considerable blogosphere debate. She’s been lauded for inverting the usual representations of female bodies by having no shyness in portraying her, as she terms it, “not exactly model-esque body” in unflattering sex scenes. But one critic suggested Dunham would lose her “narrative propellant” if she dropped 13.6 kilograms.
“If I lost 30 pounds, I’d die,” she says. “Not to quibble with him about what overweight means, but I can’t even lose 30 pounds!”
Most, though, recognize in Dunham the genuine article: an uncommonly mature storyteller with natural instincts for autobiographical filmmaking and neurotic portraits of her self-absorbed 20-something generation. In a memorable scene in the first episode, Dunham’s character, having arrived in New York an aspiring writer, tells her visiting parents that she believes she’s the voice of her generation, “or a voice of a generation.”
It’s particularly fitting because it’s both true and a self-parody – a balance of sympathy and critique for Millenials that runs throughout “Girls.”
“That’s just always what’s made the world feel manageable is to be able to share my experiences with like-minded people,” she says. “And sometimes I end up sharing them with not like-minded people, too.”
She grew up in a family of artists that moved from Soho to Brooklyn Heights (where Dunham is moving) to Tribeca, while alternating time at a country house in northwest Connecticut.
“Witnessing [my parents] going into the studio day after day, it was just like: ‘Oh, that’s what adults do, and furthermore, that’s what people do,’” says Dunham. “I’ve learned since that there’s many other ways to skin a cat, but in our family, it was always the primary mode of expression. Very early on, it made sense to me.”
In “Tiny Furniture,” Dunham’s character has returned home to New York (her parents’ actual Tribeca home) from college. There, she wrestles with who she is and her place in the world, themes carried over in “Girls.” Though structured by awkward encounters with boys, the film ultimately hinges on the mother-daughter relationship.
Echoing earlier criticisms of New York filmmakers like Whit Stillman and Noah Baumbach (both inspirations to Dunham), some took issue with her depiction of such a privileged life.
“It definitely was a thing where I was like, OK, I have to be careful with this,” says Dunham. “‘Girls’ is dealing with people who have moved to the big city to find their fortune, which is a wider range of people.”
Enthralled by the movie, Apatow realized Dunham was someone worth meeting once he saw her name again and again in the credits (“directed by,” “written by,” “produced by”).
In guiding “Girls,” Apatow (who made the quickly canceled “Freaks and Geeks” and “Undeclared” before focusing on writing and directing films) has returned to television, he says, “to get her [Dunham] through this experience without getting crushed by the machine.”
“It’s probably extended by creative life as I go into the first stages of exhaustion and generally running out of gas,” says Apatow.
“She’s so energized and in her moment. Unlike me, she didn’t have any awful experiences trying to get movies made or have them turn out weird, TV shows get canceled. So she’s just a ball of good energy.”
He adds: “She’s not worried about everybody’s judgments the way most neurotic comedians are. She just thinks you make things, that that’s what life is all about.”
While enjoying a Waldorf salad (“like a 95-year-old woman,” she says), Dunham exhibits only easy modesty and relentless curiosity. The ebbs and flows of good and bad reviews that have punctuated her parents’ careers, she says, has conditioned her to take success skeptically.
Right now, she’s cautiously developing a second season for “Girls,” in case it gets picked up. She plans to adopt a dog in September, either a pug Chihuahua mix or a Dotson Chihuahua mix – “small enough to fit in a bag, but not fully a Chihuahua.”
Dunham, a filmmaker who has transitioned with ease from film sets of six to soundstages of 60, clearly has herself more together than her characters. But she also has a dawning realization that even as she finds her way, uncertainty isn’t about to vanish.
“I wished that it passed by the time you were 26, but I’m hearing that that’s not the case,” she says, like a detective reporting back on adult life. “I’m always like, I make movies about this. Shouldn’t I move past it? That’s not how it works, unfortunately.”
January Jones has revealed that she ate her own placenta after giving birth to baby Xander.
The Mad Men star told People magazine that uses the placenta vitamins to boost her energy after the draining process of giving birth.
January, who gave birth to her son in September, is so impressed by the natural booster that she is urging all other mothers to do it, too.
Revealing her secret: January Jones, here in New York yesterday, says that her ingesting her own placenta has boosted her energy
She told the magazine that she is aided in this process by her 'doula,' or labour coach: 'I have a great doula who makes sure I'm eating well, with vitamins and teas and with placenta capsulation.'
Before expanding: 'Your placenta gets dehydrated and made into vitamins.
'It's something I was very hesitant about, but we're only the only mammals who don't ingest out own placentas.
Refreshing: January reveals it's a struggle to be a new mother, even for a big star like her
'It's not witch-crafty or anything! I suggest it to all moms!'
Jones, 34, also talked about returning to work while her son was still small.
She recalled: 'I think I went back to set six or seven weeks after, so he was really little.'
'I had the baby and the baby nurse in their own room so I could go back and feed him every two hours,' the mother-of-one added.
'If I felt like he needed me, or if he needed to eat, or even if I just needed a squeeze because I was having separation issues, I would go back and see him. It was such a blessing that I wasn’t separated from him.'
But the exhaustion was the biggest challenge, and she admitted: 'It was hard to work long days and then go home and not sleep.'
And that's where the placenta came in handy.
THE WEEKEND GUYISM SPEED ROUND
SJP encourages young Carrie Bradshaw
“Sex and the City” producer Michael Patrick King isn’t enthralled by the idea of a prequel to the HBO series, but it seems Carrie Bradshaw herself is ready to pass on the torch.
Sarah Jessica Parker, who played the Manhattanite for six seasons (and two films), recently reached out to AnnaSophia Robb, who plays a teenaged Bradshaw on The CW’s “The Carrie Diaries.”
“She sent me a letter! I wrote her one back, too,” Robb told Us Weekly. “She was just very encouraging about it all. It was really cool.”
The 18-year-old said she prepared for the iconic role by “watching the show and really trying to click with the character.”
After filming her first episode in New York City, Robb said she’s prepared for “Diaries” to be compared to the original series, but she’s not worried.
“We're never going to be that,” she said. “The show is more for my generation, but it's set in the ‘80s, so it's fun.”
TULISA'S X-RATED NIGHT
ABOVE: X- Factor judge Tulisa had a saucy night
WILD pop star Tulisa enjoyed an X-rated dance at a top Miami strip club.
The brunette, 23, knocked back champagne along with vodka and Red Bull as she was treated to a saucy routine from a racy blonde.
The fun-loving X Factor judge was out on the town with pals including hunky rapper Terius Nash, 34.
She wrote on Twitter after the boozy clinch: “Epic is not the word!”
Her PA and close friend Gareth Varey also sent out a lewd Tweet revealing all about the night’s steamy encounter.
He posted: “So its a strip club ting with @officialtulisa and the rest off the crew.
“Ok cool, we can vibes with this.
“The way this blonde ting is going on, she don’t give a shit, p***y out and 4a dolla or 2.”
N-Dubz singer Tulisa, newly single following her bitter split from bandmate Fazer, 25, stayed on the booze until 4am.
One of her friends posted a picture of Tulisa with her pals as they headed out for the night, showing the glam singer dolled up and wearing a black dress.
Her group was booked in to party at the infamous nightclub Tootsie’s Cabaret.
The venue cheekily promises every guest “full nudity and full friction”.
It is thought feisty Tulisa, staying in America to launch her solo career, splashed out more than £3,000 on a private room. Sources at Tootsie’s Cabaret said: “We’ve never heard of Tulisa in America.
“But famous or not we give all our guests a fantastic night to remember.
“We’re sure she enjoyed what our ladies had to offer.”
The next day the frisky starlet admitted to being hungover and had a quiet morning sunbathing in her penthouse room at the Shore Club South Beach hotel.
She posted: “Ooooohhhh mmmmmyyyyy days! Just moved in to the shore club hotel, 20th floor....‘Jaw drops’ ‘stunned face’ ‘screams’ ‘jump up n down’.”
After her saucy antics on Sunday she decided to enjoy a more family friendly experience yesterday at Disneyworld.
She wrote: “Disney world!!!!!! I feel like a big kid! Wooohooo!”
Tulisa’s sexy stripper dance is the second girl-on-girl encounter the flirty talent show judge has enjoyed since she headed stateside to record her album.
She sent a series of tantalising Tweets to fellow Brit star Jessie J, 23, after they met in a hotel bar last month.
She Tweeted the openly bisexual Price Tag singer saying: “dont front like u didnt call me n say get ur ass here..n stop enticing me 2 cum over 2 the dark side..Im intrigued..pause.”
emma.brankin@dailystar.co.uk
Kevin Cheng And Annie Liu Dating For 3 Months?
Since Kevin Cheng’s (鄭嘉穎) popularity skyrocketed in Hong Kong and mainland China last year, his love life has been under intense scrutiny. Tabloids frequently speculate whether he and Charmaine Sheh (佘詩曼) might have a chance to develop their relationship further, with frequent reconciliation rumors in the air. However, according to Face Magazine, Kevin Cheng and Bu Bu Jing Xin <步步驚心> costar, Annie Liu (劉心悠), have been dating for 3 months!
Pursuing “Goddess Annie”
It was rumored that Kevin had broken up with mainland model, Jenny Xu (徐靖雯), who was photographed spending time at his home, last year. Shortly afterward, he began filming Bu Bu Jing Xin and allegedly started pursuing Annie Liu within one month of filming. Realizing Annie’s preference to eat plain foods, Kevin ordered his assistant to prepare an extra serving of soup for her. Kevin had reportedly prepared a mushroom noodle soup especially for Annie to eat as well.
Annie professed that she possessed an introverted personality, which made meeting men difficult. Since she was not the type of woman to rush into relationships, it reportedly took Kevin one year to build up their friendship. The cast of Bu Bu Jing Xin were reunited at promotional events when the drama was broadcast in Hunan TV in September 2011. Last October, the drama was aired in Taiwan. After seeing each other at these events, Kevin started sending text messages to Annie. Allegedly, he unabashedly referred to Annie as “Goddess” in the messages, while openly praising her beauty in front of other people.
Since entering the entertainment industry for 6 years, 30-year-old Annie was romantically rumored with Filmko owner, Wang Haifeng (王海峰), and former costar, Blue Lan (藍正龍). Allegedly, Annie possessed a boyfriend in Taiwan for many years, whose true existence was never confirmed. The former design major, who had studied in Canada, was known as a “pure existence” who had few rumors. Annie enjoyed running and had participated in six annual marathons.
Kevin Cheng Denies Dating Annie Liu
While tabloids claimed that Kevin and Annie have gone on secret dates over the last three months, both Kevin and Annie denied the dating rumors. At the Filmart 2012 expo, Kevin told Face Magazine, “You’re crazy! You’re crazy! Please don’t frame me!” Despite the strong words, Kevin laughed widely in his denial.
Kevin noted that Annie had her own assistant and did not need him to take care of her eating preferences. Emphasizing that they were only colleagues, Kevin told Apple Daily, “Of course not; I did not prepare any ‘love noodles’! I did not send any “Goddess” text messages. The magazine used their imagination for such details. I do not know to what stage ‘the story’ has advanced to. It’s very confusing!” Furthermore, Kevin stated that after the filming of Bu Bu Jing Xin, he only saw Annie once at a Hong Kong promotional event and did not have any personal dates together.
Annie Liu Uncertain About Advancement Opportunities With Kevin Cheng
While Annie Liu praised Kevin Cheng for being a good actor, she denied that he had pursued her. She noted that she liked Bu Bu Jing Xin’s “Fourteenth Prince” Lin Gengxin (林更新). As to whether Kevin had asked the director to increase her scenes in Bu Bu Jing Xin, Annie said that she did not feel that her scenes increased and suggested asking the director for a response instead.
Asked whether there were any advancement opportunities with Kevin, Annie said, “I do not know.” Asked if she liked the type of man that Kevin represented, Annie replied that she liked filial men. She praised Kevin for his acting. “I only know this much about him; I have very limited knowledge about him.”
However, after their romantic rumors surfaced, Annie and Kevin have been in touch, in which she invited him to see her in a theatrical production. Last month, they appeared at a perfume promotional event in Hong Kong togetherJayneStars.com
All the single ladies, put your hands up ... and prepare to be envious.
A little over two months after giving birth to her baby daughter Blue Ivy Carter, a smiling Beyonce stepped out last night and she looks ... wow. Just wow.
The singer got dolled up for a fundraising event for President Obama - the same one that drew headlines for Robert De Niro's "White First Lady" joke.
There was no controversy about this, though: She looked awesome!
Bey wore a snug navy dress by Victoria Beckham, sky-high heels and some dazzling bling (including a diamond-encrusted eagle) with her hair in a simple ponytail.
So what was Beyonce doing right in terms of new mom style?
"When you think of the things women dislike about themselves, the majority don't like their upper arms and also have skirt-length issues," one stylist told MTV.
"She's addressed both of these. It's an interesting choice because it's snug, not tight. There's a distinction between the two. It's body-flattering, for sure.
Read more celebrity gossip at:shaheen48.blogspot.com
Shining bright in the style stakes: Nicole Richie gleams in short peach dress for dinner date
She is serving as a mentor on her new reality show so Nicole Richie can’t afford to put a fashion foot wrong.
And as the 30-year-old didn’t let herself down in the style stakes as she stepped out for dinner in Miami tonight.
The reality star turned designer had slipped on a champagne-coloured dress which gleamed under photographers flashlights.
Shining star: The reality star turned designer had slipped on a champgne-coloured dress which gleamed under photographers flashlights
Nicole had teamed the simple dress, which added extra interest with snakeprint sleeves with a pair of black heels – to make a subtle statement.
The short dress had a tight fit, which displayed the mother-of-two’s incredible shape as she sashayed her way into the restaurant for dinner with a friend.
As well as putting her curves on display Nicole also showed off her slim pins which looked sunkissed.
Dinner date: Nicole was seen enjoying dinner at Miami Beach Hotel with a friend
In her hand she toted around a small hard clutch bag and a series of rings, no doubt from her own line, could be seen on her fingers.shaheen48.blogspot.com
Nicole was eating at the Miami Beach hotel but she was also tweeting to encouraging fans to tune in to tonight's episode of Fashion Star.
Earlier in the day Nicole had sported a much more dressed down style as she arrived at her hotel.
Simple statement style: Nicole had teamed the simple dress, which added extra interest with snakeprint sleeves with a pair of black heels
Dressed down style: Nicole arrived at her South Beach hotel in a much more casual style and a pair of flats earlier today
